BRAND X

I just noticed something strange on Wikipedia. It appears that gradually, over time, editors have begun the process of moving women, one by one, alphabetically, from the “American Novelists” category to the “American Women Novelists” subcategory. So far, female authors whose last names begin with A or B have been most affected, although many others have, too.

The intention appears to be to create a list of “American Novelists” on Wikipedia that is made up almost entirely of men. The category lists 3,837 authors, and the first few hundred of them are mainly men. The explanation at the top of the page is that the list of “American Novelists” is too long, and therefore the novelists have to be put in subcategories whenever possible.

Too bad there isn’t a subcategory for “American Men Novelists.”

During the act of reading engaging fiction, we can lose all sense of time. By the final chapter of the right book, we feel changed in our own lives, even if what we’ve read is entirely made up.

Research says that’s because while you’re engaged in fiction—unlike nonfiction—you’re given a safe arena to experience emotions without the need for self-protection. Since the events you’re reading about do not follow you into your own life, you can feel strong emotions freely.

[…]

The key metric the researchers used is “emotionally transported,” or how deeply connected we are to the story. Previous research has shown that when we read stories about people experiencing specific emotions or events it triggers activity in our brains as if we were right there in the thick of the action.

I have had reviews in the past that have accused me of not writing about white people. I remember a review of “Sula” in which the reviewer said this is all well and good but one day she, meaning me, will have to face up to the real responsibility and get mature and write about the real confrontation for Black people which is white people. As though our lives have no meaning and no depth without the white gaze. And I have spent my entire writing life trying to make sure that the white gaze was not the dominant one in any of my books.

The people who helped me most arrive at that kind of language were African writers – Chinua Achebe, Bessie Head. Those writers who could assume the centrality of their race because they were African. And they didn’t explain anything to white people. Those questions were incomprehensible to them. But when I read the poetry of Césaire or the poetry of Senghor, the novels particularly – “Things Fall Apart” was more important to me than anything only because there was a language, there was a posture, there were the parameters. I could step in now and I didn’t have to be consumed by or concerned by the white gaze.

Dear Editors,

You’re in luck that I’m at least writing this letter to you in my best handwriting because I am very angry at you. Why should it not be prohibited to write ‘Neger’ in children’s books? One has to be able to put oneself in somebody else’s shoes. Because my father is Senegalese, and he is a very dark shade of brown; I am café-au-lait brown. Just imagine if you were Afro-German and lived in Germany. You’re a newspaper reader and unsuspectingly buy the ZEIT of January 17th 2013. Suddenly, you note the article ‘The Little Witch Hunt.’ This is when you read that the word ‘Neger’ is supposed to be deleted from children’s books, and that this would allegedly spoil the children’s books. I find it totally shit that this word should remain in children’s books if it were up to you. You cannot imagine how I feel when I have to read or hear that word. It is simply very, very terrible. My father is not a ‘Neger’ [lightning bolt sign] nor am I. This is also true for all other Africans. Right. That was my opinion. This word should be deleted from children’s books.

Yours,

Ishema Kane, 9 1/2 years old

P.S.: You’re welcome to send me a response.

[more lightning bolt signs]

<3