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I told Miyazaki I love the “gratuitous motion” in his films; instead of every movement being dictated by the story, sometimes people will just sit for a moment, or they will sigh, or look in a running stream, or do something extra, not to advance the story but only to give the sense of time and place and who they are.
"We have a word for that in Japanese," he said. "It’s called ma. Emptiness. It’s there intentionally.”
Is that like the “pillow words” that separate phrases in Japanese poetry?
"I don’t think it’s like the pillow word." He clapped his hands three or four times. "The time in between my clapping is ma. If you just have non-stop action with no breathing space at all, it’s just busyness. But if you take a moment, then the tension building in the film can grow into a wider dimension. If you just have constant tension at 80 degrees all the time you just get numb."
I came up in a time when white intellectuals were forever making breathless pronouncements about their world, about my world, and about the world itself. My life was delineated lists like “Geniuses of Western Music” written by people who evidently believed Louis Armstrong and Aretha Franklin did not exist. That tradition continues. Dylan Byers knows nothing of your work, and therefore your work must not exist.
Here is the machinery of racism—the privilege of being oblivious to questions, of never having to grapple with the everywhere; the right of false naming; the right to claim that the lakes, trees, and mountains of our world do not exist; the right to insult our intelligence with your ignorance. The machinery of racism requires no bigotry from Dylan Byers. It merely requires that Dylan Byers sit still."
The right to insult our intelligence with your ignorance
re: chromophobia... of course these chromophobes idolized a Greek/Roman past full of cool white marble.... which we've since discovered was actually a gaudily painted riot of color!
I always love seeing this fact pop up. Yeah, what we thought was the ancients just being really cool and aesthetic was actually the gaudy colors fading away over time. It’s like when people think that old houses were built better than they are now, when it’s really just that the shitty houses all fell down already.
Ummmm but the problem is not so much that they weren’t being “cool and aesthetic”; it’s that this entire western concept of aesthetics is built on a mistake.
fittingly, I was just reading this:
The Parthenon marbles Elgin took to Britain do consist of marble, but a darkly pitted Greek marble rather than the smooth, snowy white variety more common in Italy. Here lay an aesthetic problem: whiteness versus color. The alarming history of European marble “cleaning” includes a chapter on this statuary describing a drive to make ancient Greek art white that nearly destroyed the art itself. In the 1930s workers in the British Museum were directed to remove the dark patina with metal tools on the mistaken assumption that their proper color should be white. Such a “cleaning” seriously damaged the Parthenon marbles, prompting an inquiry by the museum’s standing committee that halted the work.
—Nell Irvin Painter, The History of White People, page 63
It’s particularly obnoxious given the claims by so many British people that the marbles had to be removed to Britain in order to protect them.
The bold: People should really know about that, too.
And yes, it is connected with this article about Chromophobia and colonialism
which is also connected to the Reformation.
Especially if you think about (at least in an American context) the way that Catholicism has been, to a large degree, racialized. And how the Catholic Mass and other traditions came to be associated with licentiousness and was condemned for its use of decoration (aside form legitimate gripes with corruption).
see also: Calvinist Iconoclasm:
OMG!!! I FORGET PEOPLE DON’T KNOW THIS!
Yes, all those aloof, “pure” white statues from Ancient Greece?
They actually looked like this:
Vinzenz Brinkmann, much to the apparent chagrin of Westerners everywhere, used ultraviolet light to reveal the original paint schemes of these statues that the millennia had washed away.
And to underscore the Chromophobia?
In the summer of 1566, spurred on by the sermons of Calvinist preachers, zealous mobs descended on churches in the Netherlands, intent on ridding them entirely of their imagery. Many churches were literally white-washed.
All of these things are connected.
reblogging for someone who recently asked about this.
Someone also asked about over-cleaning or modifications made to various Greek and roman works in European Possession.
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